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From Traffic Steven Soderbergh, The images discussed in the preceding, with the exception of the narrative of redemption, mostly provide the viewers with naked images of the black male. First, if we look at some predicates to contemporary visualizations such as sculpture, there is the body that is shackled or tied. For example, in photography one can look specifically at the work of Robert Mapplethorpe to see where the modes of containment and excess intersect and interconnect as highly aestheticized and formally abstract imagery, yet intimately linked to the pornographic for example, Man in a Leisure Suit. Unlike the images of blaxploitation, however, this spectacle of blackness is about the desire of blackness as opposed to the exploitation of , rendering visible how the body signifies its aggressivity and how, through fantasy, this aggressivity takes on meaning as pleasure.

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Video Results For: Beauty Beast (1,281)

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No matter how savage this release may be, the acts of savagery are nobly, and narratively, motivated acts of redemption in that usually these films end with the white man brutally murdering those who have murdered his other-raced or ethnic friend.

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Beauty Beast

In other words, placement of the black men in these images is a reversal of hierarchies, with the maintenance of hierarchy. Therefore, the black male body is still thoroughly visualized as naked, as racial fantasy or sexual proclivity. In other words, there is a play between the naked, which signifies the body as such, as a thing we desire, and the nude, in which the body is discursively framed in standards and ideals of beauty and reason, as a thing we aspire to be. The history and images of slavery and the Civil War bear hard upon the possibility of exceeding themselves.

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3 COMMENTS

  1. Real or fake don't matter when you look at that damn thing.

  2. C'est pas super bien filme, le mec a un beau cul.